It’s a funny thing, but I always feel a little odd, posting about something I’ve made using one of my own patterns. It’s quite a New Zealand type thing, really – we’ve got this phenomenon over here called Tall Poppy Syndrome, and the flip side of it is that we all tend to be almost painfully reluctant to talk about things we’ve done that we’re proud of. Crazy but true. And you see it evidenced everywhere. People downplaying achievements, brushing off compliments, pointing out things they didn’t do so well to take the focus off things they did do well. You even see it in companies hiding awards in cupboards, embarrassed to be seen putting them out on display. We’re a shy, self-deprecating bunch over in this corner of the world.
And I’m very much from New Zealand. Which means, I’m not particularly good about talking about things that I’ve done, either. Turns out the main way it shows up here is when I make something with one of my own patterns – I feel a strong reluctance to talk about it, a fear that it would be seen as self-congratulatory, boasting, or similar. Yep, I feel kinda embarrassed to show that I like my own pattern enough to use it to make myself things. Silly, isn’t it?!?
I figured a way to try to counter that, for one post at least, is to combine a garment I want to make with a Minerva Network post. (Clearly, it’s not going so well so far, since I felt a compelling urge to put that disclaimer at the start. Hah!)
So today, here’s a new Melissa dress that I’ve made.
Anyway, ever since I made my brown linen Melissa dress, I’ve been wanting to make myself another one. I wear that one all the time (as evidenced during Me Made May, a round-up post of which I’ll get up on here sometime soon!). The idea of a polka dotted one in particular was stuck in my mind.
I had one heck of a time deciding which colour way to use though. Indigo? Sky blue? Argh! Both so pretty! In the end I went with the sky blue, even though it’s a lighter colour than what I’m usually drawn to. A key reason I chose this one was because of the fabric I wanted to use as the contrast inset at the back. You see, I’d spotted this pretty cotton crochet-look lace, and got to wondering how it would look for the contrast. A lace v inset? Hmmm…..
Anyway, the sky blue seemed to fit with the lace better, so sky blue it was. ;-)
I’m really happy with how the lace looks on the back inset – I think it adds a fun and pretty touch.
The sleeve cuffs required a bit of thought though. The cuffs are made by making two identical bands, sewing them right sides together, then flipping them out wards. The seams are enclosed, and the cuff is then attached to the sleeve. All well and good, but doing that with lace would have meant visible seams on the inside.
After giving it some thought, I cut the cuffs out in lace, chambray, and a lightweight fusible interfacing. I laid the lace with the wrong side of the lace against the non-fusible side of the interfacing, and treated them as one piece. Then, once the two cuff sections (one in lace and interfacing, the other in chambray) had been stitched together and turned right sides out, I fused the interfacing to the chambray, thus capturing the seam between those two layers and keeping it hidden. The interfacing also gives a solid white background for the white lace, which I think looks quite effective.
Sadly I had to give up on the idea of using the lace for the pocket edgings though – the edgings are quite narrow, and this lace is quite bulky, so that just wasn’t going to work. I did a same-fabric edging instead, and I’m really happy with how that turned out. :-)
The chambray was a dream to work with – wonderfully light, with a great drape and a fine weave. It presses well and hangs well, and is soft and lovely to handle. I may be in love with it. And now I want it in the indigo colourway as well, to make something else! It’s the perfect weight for dresses, I reckon.
Because I wanted the lace to be the main feature of the dress, I used smaller buttons than I usually choose for shirt dresses. I kept them white to tie in with the lace and the polka dots, and picked simple little circles with a round embossed design in the centre. (I do love me a bit of texture!)
Just for the fun of it, I used fushia coloured Hug Snug on all the seams. The one exception being the centre back seam, which I overlocked and pressed open, as I didn’t want the Hug Snug to be visible through the lace inset. Because there are a heck of a lot of seams, rather than pressing them open I pressed all the others to the side and bound both sides together with the Hug Snug. I love the inside – it’s so bright and cheerful!
I also used Hug Snug on the hem, and finished it with a blind machine hem. It seems to be my hem finish of choice at the moment. *shrug*
The photos were taken outside a sub station near where I work, by my lovely colleague Kelly. (Thanks, Kelly! You rock!!) It’s always a bit tricky getting photos this time of year – dark before work, dark when I leave work…. It was pretty windy, you may spot a bit of hair sticking straight up in one or two of the photos! I’d been wearing the dress all day at work too, so it’s got those good ol’ lived-in creases going through it. ;-) The graffiti is by a local artist – he’s quite prolific, with his work featured all over the place. Lots of happy smiley cartoon animals who are oddly dissected but seem perfectly fine about it. Strange. But also colourful, so I’m down with that.
Also, the fabric and buttons were given to me for my monthly contribution to the Minerva Sewing Bloggers Network. You can see it all over here, along with pretty things made by other lovely sewing people. Yay! Sewing!